If you like Cameron Wisch, you may also like:
The always-great label AD93 serves up a haunting LP from Jasmine Wood, dreamy songs built from sustained piano.
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synth waltzes and accordion laments
by Yara Asmar
As the title implies, the latest from Lebanese artist Yara Asmar combines ambient synths with treated accordion in dreamlike songs.
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Purportedly the recordings of a disgraced experimental psychologist (you decide), “Jumand” sets spoken word to eerie synths.
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Aramoana
by Robert Scott, Takumi Motokawa
The Clean’s Robert Scott teams with Takumi Motokawa for a record of dense and riveting improvised music.
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Melancholic pastoral instrumentals made from cello, piano, and acoustic guitar, interwoven with field recordings for a spooky undertone.
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Written and recorded on a reed organ, “HULDA” is a haunting work of sustained drone that is simultaneously soothing & unsettling.
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Work of Progress & Etudes
by J.Lynch
J.Lynch (aka Thirty Pounds of Bone) plays with organic elements, including prepared piano, against electronics to impressionistic effect.
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